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POSTED: 31 OCTOBER 2010
The Naked Face: artists through their own eyes*
This December, the National Gallery of Victoria will open The Naked Face: Self-portraits, a compelling exhibition which takes an in-depth look at how self-portraits have shaped our perceptions of the artist and human identity.
Dr Gerard Vaughan, NGV Director, said: “The Naked Face will showcase superb and fascinating examples of self-portraiture seen in both our international and Australian art collections.
“This strong group of self-portraits highlights the breadth of the NGV Collection and also offers visitors a chance to explore the history of western art and society over the last 500 years through the artist’s perception of self.”
With 150 works, this exhibition will reveal how artists have used self-portraiture to embellish their social status, illustrate their artistic talent, portray and influence popular culture and document their lifestyle.
Dr Vivien Gaston, the exhibition’s guest curator, said: “This exhibition will have broad appeal to viewers. From infancy, humans are instinctively driven to recognise and relate to the human face. With boundless curiosity, we search for the naked face that will tell us the naked truth.”
Drawn entirely from the NGV Collection, this exhibition will display many works by celebrated Australian artists such as Hugh Ramsay, Mike Parr, John Brack and Peter Booth, as well as spectacular self-portraits by international artists such as Rembrandt, Edward Steichen, Cindy Sherman and Coco Chanel. Contemporary works are presented alongside masterpieces in memorable and provocative visual comparisons.
“Self-portraits not only illuminate the artists but evoke their connections with others and the world around them. The works show how artists depict themselves with family or loved ones, or as immersed in nature in a way that enhances their sense of self,” said Dr Gaston.
The Naked Face investigates self-portraiture through symbolic, psychological and aesthetic themes, including identity in the studio, performance, myth and psyche, scrutiny, empathy, and touch and trace.
A rich diversity of paintings, drawings, prints, photographs and fashion, illustrates dramatic historical changes in self-imaging.
Dr Gaston said that the exhibition concludes with a radical view of how self-portraits embody the artist, not only by revealing the direct trace of the artist’s hand but also the personal imprint of their body.
Dr Vaughan said: “This outstanding exhibition showcases many of the great treasures in the NGV Collection, some of which have not been on display in recent times, and is not to be missed.”
*Based on media release issued by National Gallery of Victoria.
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Hugh RAMSAY
Self-portrait in white jacket (1901-1902)
oil on canvas
92.3 x 73.5 cm
Presented through the NGV Foundation by Nell Turnbull, niece of the artist and by her children John Fullerton, Patricia Fullerton and Fiona Fullerton, Founder Benefactors, 2002
IF YOU GO
§ The Naked Face: Self-portraits will be on display at The Ian Potter Centre: NGV Australia from 3 December to 27 February. Open 10am5pm. Closed Mondays. Free entry.
§ To accompany this exhibition, the NGV is publishing a richly illustrated and thought-provoking book The Naked Face: Self-portraits, by Dr Vivien Gaston, with contributions by other curators. RRP $49.95.

Andy WARHOL
Self portrait no. 9 1986
synthetic polymer paint and screenprint on canvas
203.5 x 203.7 cm
Purchased through The Art Foundation of Victoria with the assistance of the National Gallery Women's Association, Governor, 1987
© Andy Warhol/ARS, New York. Licensed by VISCOPY, Australia
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